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The Story of the Man who "Turned On" the World with LSD and the People Who Erased Him
created by:
Jeanne Heaton &
Vanessa Hollingshead
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In 1959, when a down-and-out British writer desperate for fame and fortune arrives in New York City and he 'trips' on an unknown drug called LSD, his experience is so profound that he goes on a mission to 'turn on' the world with it - but when his mysterious and tragic past catches up with him, he becomes an easy target for the CIA, and the world 'turns' on him. 


Based on his book, "The Man Who Turned on the World," THE DIVINE RASCAL is a dramatic and darkly funny TV series about my father, Michael Hollingshead; the man who gave Harvard professor Dr. Timothy Leary his very first hit of LSD and how, together, they launched the most significant 1960s counterculture revolution of our time.

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Michael hollingshead
Dr. Timothy

"The Man Who Turned On The World"
by Michael Hollingshead
Published 1973

®All Rights Reserved

Why Me?
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"My dad did so much LSD, psilocybin, blue-blotter, purple haze - that we used to go on family trips together without ever leaving home. When I was five, he left a tray of acid-laced sugar cubes laying on the kitchen table, and I ate 9 of them.  I don't have childhood memories - I have flashbacks."
But now, what if, in those flashbacks, your inept father was also an advocate for drug use? And what if he advocated for drug use in a way that changed the world for the better?
In fact, what if, without him, the entire social, cultural, and political uprising of the 1960s never would have happened?

The complex relationship my father had with LSD, the remarkable people he "turned on" with it, and the impact they had on an entire generation have never been dramatized in a television series before... until now."  

Vanessa Hollingshead, Comedian

& Michael Hollingshead's daughter

LSD blasts its way onto the 1950s postindustrial "Norman Rockwell" scene. It shatters America's materialistic and puritanical view of the world and opens the mind.


"With m y LSD, I will create the world's first bloodless revolution." Michael Hollingshead


What is LSD?
Who Is He

With a glass of scotch in one hand and 5000 hits of LSD in the other, no one is more mysterious and unfathomable than THE DIVINE RASCAL, Michael Hollingshead.

A genius, a Zelig, a trickster, a guru, a con-man, a writer, an artist, an alcoholic, a junky, a father, an ex-member of the British Air Force, and the man without whom Timothy Leary and the psychedelic revolution never would have happened - Michael is all of these things and more.

Why Now?
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"To fathom hell or soar angelic, take a pinch of psychedelic." 


With psychedelic-therapy centers opening all over the world, LSD is back in the zeitgeist and hipper than ever before. Psychedelic retreat centers are booked full of people seeking enlightenment, transcendence, and healing.


Today, psychiatrists are experimenting with LSD as an innovative treatment for depression, PTSD, addiction, Alzheimer's, alcoholism, cancer, and opioid abuse. What was once considered a dangerous drug in the '60s is now a cutting-edge and promising micro-dosing therapy.


Dr. Timothy Leary


Michael Hollingshead

Dr. Richard Alpert, Ram Dass

In fact, scientists have picked up researching psychedelics exactly where our main characters, Michael Hollingshead, Dr. Timothy Leary, and his assistant, Dr. Richard Alpert, left off 60 years ago - before the US government shut them down.


Joaquin Phoenix

 as Leary


Benedict Cumberbatch as Hollingshead


Bill Skarsgård as Alpert

Against the backdrop of a nation fractured by the 1960s Vietnam War, the Civil Rights movement, and the battle for equal rights, their world mirrors the divisions of hatred, racism, and the stripping of women’s rights in our world today. 

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With the right drug in the wrong decade, "The Divine Rascal" will not hesitate, however, to investigate the whole truth of LSD. The show is not a documentary, though. Instead, it is a hard-hitting scripted television series that dramatizes the lives of these East Coast academics who dared to defy societal norms and change the world with a single drug and risked everything, including their children, to do it. 

Vanessa Hollingshead

Series Overview
Part One

Part One

The Divine Rascal begins in New York City at the dawn of the '60s.

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On a low-class passenger ship, the desperate and penniless British writer, Michael Hollingshead, arrives at the West Side Docks in Greenwich Village.


He heads for The White Horse Tavern - the  stomping ground of the underground poetry gods of angst called The Beatniks.

He goes inside and sitting at the bar, in various stages of drunken "cheer," are all of his literary heroes - Jack Kerouac, William Burroughs, Allen Ginsberg, and Aldous Huxley.


Determined to join their inner circle, he hides his working-class accent with a polished upper-class one and launches into his harrowing escape from London - an escape that almost killed him and involved a the father of beautiful British blue-blood.


His spellbinding, comical performance earns him a immediate acceptance into their hipper-than-thou rebellious scene.

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    Michael       Sophie




Sophie & Vanessa

When he meets the West Village femme-fatale jazz pianist, Sophie, she gets pregnant, they get married, and Vanessa is born.


Aldous Huxley

But suffering with a debilitating case of writer's block and drinking around the clock, the Aldous Huxley tells him to find a way to get a hold of this mysterious, unknown drug called LSD and to take a lot of it.

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Michael makes a beeline to New York Hospital where he and his druggie-friend, Dr. John Beresford write a prescription that says that Michael has bone cancer and needs a lot amount of LSD for the "bone marrow transplants."


Michael sends the bogus script to LSD's inventor, Dr. Albert Hofmann, and four weeks later...

The Inciing Incident
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A package arrives. Michael opens it, and one gram of 5000 hits of pure LSD along with a bill for $285.00 falls out.


He throws the bill in the trash, grabs a bowl, a box of powdered sugar, adds some water, and mixes it into a thick sugar paste.

Spooning it into an empty mayonnaise jar, he licks the spoon, lots and lots of time. Having no knowledge about "dose" or "potency," he's completely unprepared for what happens next.

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"I moved to the rooftop and all is CHAOS. Kaleidoscopic images surge powerfully in on me and I am seized by a fear of going insane. My body is strange. Numb. Lifeless. Am I dying? I step to the rooftop's edge into some other land of unlikeliness, when a sudden bolt of lightning splits me through. The primordial ooze from a childhood, crushed by the tyranny of a monstrous and violent alcoholic father, grabs me by the throat and threatens to throw me off the edge. Then, as if on woven wings of stardust, a heavenly realm delivers me to a place where the "I" of "me" no longer exists. Born aloft, I am free. I am One with the Universe. One with the Creator. One with God. I am God." 

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A lifelong atheist, Michael's rooftop trip is so profound that he abandons his tired aim of writing the next great "American" novel and replaces it with a new one: to "turn on" the world with LSD. But how?

Part 2

Part Two

Our story takes a hard left into

East Coast Academia...

At Harvard's psychology department, professor Dr. Timothy Leary and his assistant, Dr. Richard Alpert, are scientifically researching the effects of psilocybin mushrooms, a psychoactive hallucinogen, on grad students.

Dr. Leary

Dr. Alpert 

When out of the blue, Michael, armed with his mayo jar full of LSD, barges in and begs Leary to "turn him on." But Leary is leery of this unhinged stranger and wants nothing to do with him or his bizarre jar of "man-made" chemicals. 

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Broke and faced with the monumental challenge of how to get his LSD "to the masses" Michael knows he must prove to Leary that his LSD will "run rings around those pathetic mushrooms," but Leary still refuses.


At his wits end, Michael threatens to kill himself - a threat so real that it pierces Leary's soul being that his wife just gassed herself to death in their garage. 

Michael spoons one "lovin' spoonful" into Leary's mouth and one into his own. What happens over the next fourteen earth-shattering hours bonds the two men for life.

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When they come down, Leary immediately  gives Michael his car to NYC, pick up Sophie and baby Vanessa, and move into his tiny Cambridge attic with his two teenage kids. The only condition is that he must bring that jar of LSD back with him.

Michael returns and the Harvard LSD clinical trials officially begin. Leary christens him with the new name "The Divine Rascal" and Michael is now at the center of the most elite and radical academic scene of all time.

But after several months of promising research, they start consuming too much of their own supply and give it to undergrads - a serious no-no. When rumors surface that they're also having sex with them, and when two students die, Harvard fires them all.

Part 3
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Part Three

Which brings us to Millbrook Mansion, a dilapidated 64-room baroque castle in upstate New York.

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Located on 2,500 acres of fresh farmland, the disgraced Harvard clan moves in. As chaotic as their psychedelic ambitions, the villa becomes a sprawling encampment of over forty psychedelic voyagers, some with kids, and, thanks to Michael, a plethora of exotic animals.

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A cross between a country club, a madhouse, a research center, a monastery, and a Fellini film set, Millbrook is where Michael hones his trip-guiding skills and becomes the greatest trip-guide of all time. Artists, poets, scientists, and musicians come from all over the world just to have him guide their trips.


William Burroughs


Andy Warhol &

Edie Sedgwick

Jefferson Airplane


Lennon & McCartney

McClure, Dylan & Ginsberg


Mick Jagger & Keith Richards

Michael's sessions evolve into elaborate theatrical art performances that he mounts in NYC using fake LSD — or is it? When he receives a rave review in The New York Times for one of these "Happenings" at The Village Vanguard, Leary's ego takes note.   

But Michael's meteoric rise to hippie fame doesn't satisfy him. There's still one thing missing: his five-year-old little girl, Vanessa.  

Using his new-found celebrity, he convinces now-estranged wife, Sophie, to let Vanessa come and live with him at the Mansion.


But one night, when he drunkenly leaves a tray of acid-laced sugar cubes on the table, Vanessa eats them all. As they kick in she begins hallucinating thousands of fluorescent worms everywhere, pictures melting into the walls, and her own body parts disappearing in front of her very face. When Michael sees her and her dilated pupils, he realizes that she's the one who ate all the LSD.

Frantic, he rushes her to Leary and Alpert. Alpert, furious with Michael's negligence, gives her an "adult shot" of Thorazine in her tiny buttocks to sedate her. They don't know if she'll survive, but they do know that if they  take her to the hospital, they will all go to jail. Alpert insists that Michael check her pulse every ten minutes. Having the death of his daughter on his hands is too sobering a thought not to.   

When Sophie finds out, she whisks her back to a much "safer" place: their filthy, roach-infested tenement apartment in Bed-Stuy, Brooklyn.



Several nights later, the county DA, Gordon Liddy, raids the place and arrests Leary and his 15-year-old son, Jackie. Fortunately, Alpert is away in India, becoming "Baba Ram Dass," and mysteriously, Michael is not there.

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Now behind bars and facing ten years, Leary is suddenly let go. With his mad dash to bring down "the most dangerous man in America," DA Liddy forgot to read Leary his Miranda rights. 

A free man, Leary returns to the Mansion and is greeted by another "profoundly free" man, back from India, Richard Alpert. Alpert tells Leary to call him by his new name, Baba Ram Dass and Leary falls into his loving arms.

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Leary tells Ram Dass about the raid and how suspicious it was that Michael was MIA. It slowly dawns on them that Michael must be "the rat." They have to get rid of him, but with his alcoholism raging, it will be delicate.


As Michael feels the noose tightening around his duplicitous neck, he knows he can  only play "both sides of the law" and his loyalty to Leary and Alpert for so long.

Leary and Ram Dass tell Michael that he should go back to London and continue their psychedelic revolution there — a revolution that Michael alone could spearhead. To sweeten the deal, they promise him 200 copies of their LSD trip manual, 

The Psychedelic Experience.


But Michael secretly knows they're done with him. Bitter and broken, he unleashes one final, alcohol-fueled rage, leaving not one flower in Leary's meticulously manicured garden unearthed.


As "the taxi" takes Michael away, Leary waves goodbye and sarcastically remarks to Ram Dass, "Well, that writes off any hope of a British psychedelic revolution for the next ten years, man." 


But little do they know, Michael has over 10,000 hits of pure Czech LSD hidden in a bar of soap - enough to free himself from the clutches of the CIA, "turn on" London 10 times over, and still have a hell-of-a stash left for himself.

As the CIA takes him to the docks to board the Queen Mary back to London, they allow him one last phone call to Vanessa. During the heartbreaking goodbye, Vanessa tells him how gangs have broken in and hurt her mom, and that now she's all alone. As tears fill his eyes, he promises to find a way to bring her to London, to live with him. But just then he runs out of coins and the phone abruptly disconnects.

The Antagonists
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Grim scenes of the CIA's LSD "MK-Ultra Program," headed by "Poisoner in Chief," Sydney Gottlieb, are woven throughout the series.

In a clandestine CIA safehouse in the middle of the West Village, rogue CIA operatives are conducting sadistic experiments with huge amounts of LSD on society's most vulnerable and marginalized, including junkies, prostitutes, jazz musicians, struggling artists, and orphans.

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Sydney Gottlieb's goal, set against the Russian Cold War, is as nefarious as it is chilling: to erase these unknowing people's minds and turn them into trained government CIA assassins who kill Russian spies and won't remember doing it. These morally bankrupt experiments lead to madness, death, and eventually, Michael.


Sydney Gottlieb - Head of CIA's 

MK-Ultra mind-control program


Gordon Liddy, NY District Attorney 


Captain Al Hubbard, "Cappy," CIA double-secret agent 

Does Michael become a CIA informant - a transformation that would force him to grapple with a secret identity and the horrific tasks the CIA assigns him?


Or does he become a double-secret agent who secretly works for the CIA but then launches his own covert operation against them to save their LSD revolution, his psychedelic family, and Vanessa? 


Or does he become just a washed-up, debauched alcoholic rat who turns everyone in to save his own skin and lose everything dear to him, including Vanessa?

The World
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Set against the turbulent 1960s backdrop of racism, sexism, and the Vietnam War...

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When uptight college kids take Michael's LSD, they trade their briefcases in for knapsacks. Hopeless drunks take it and become recovered alcoholics. Hardened prisoners become productive, upright citizens, and indoctrinated Harvard divinity students become loving spiritual priests.

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Bill Wilson -- Founder of Alcoholics Anonymous


Allen Ginsberg


Salvador Dali


The Rolling Stones

And when Michael "turns on" The Beatles, they go from "I Want to Hold Your Hand" to

"I Am the Walrus."

Week to Week

A visually arresting psychological drama, each episode showcase a specific character's trip as a stand-alone set piece. Picture the mesmerizing trip sequences of Terry Gilliam's "Fear and Loathing in Las Vegas" combined with the heart wrenching flashbacks of Aronofsky's "Requiem for a Dream."

The trips are not just hallucinations. Instead they're brutal battles for the character's soul. Elaborate flashbacks will drag them face-to-face with the very essence of who they are.

Week to week, we're on the edge of our seats, anxious to see who will find enlightenment and who will succumb to their innermost demons, lost to us forever.

Michael Hollingshead


Michael emerges from a brutal childhood in the impoverished north of England, his memories forever stained by an alcoholic and violent father. Vowing to break the cycle, he dreams of becoming the kind, loving father he never had. However, the trauma from the beatings, the hatred, and his longing for his dad's approval combine to create one primal need: to be adored. A sinner and a saint, he’s the guy everyone can’t wait to get to the party and the one they can’t wait to leave. Women, drugs, and booze fill his God size hole for love until they stop working and he sabotages everything. Beneath his magnetic surface seethes the raging belief that; since his father is disposable, so is everyone else. When you fall under his spell, you risk losing your mind, your money, or possibly both. But the greatest tragedy of all is that the liberation he guides others to effortlessly find he never finds for himself again. He spends the rest of his life chasing that first euphoric roof-top trip to complete oblivion. 

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Before LSD


After LSD

Timothy Leary


The alpha-male antithesis to Michael's flamboyant peacock, Tim is  Harvard's psychology professor that everyone wants to teach their class or take to bed. With his relentless womanizing and his promiscuity with men, his wife commits suicide, leaving him to raise their two kids on his own. Guilt-ridden, he throws himself even harder into his work with one overwhelming need: to scientifically prove that LSD can accomplish in twelve hours what it takes twelve years of psychotherapy to do. But with his need to be in the limelight and preaching to the youth of America to "turn on, tune in, and drop out," he goes from LSD’s "High Priest" to Nixon’s "Most Dangerous Man in America." When asked about how he feels about ruining an entire generation of 72 million people, he says, "Yeah man, but only a hundred thousand thanked me for it."

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Before LSD


After LSD

Richard Alpert


Dr. Alpert is Leary’s right-hand man, until Michael shows up, that is. A respected Harvard psychology professor, he brings an unrequited love for Leary along with a ton of money to pay for their projects, one of which is Michael himself. Richard desperately wants to fit in, but how, when you’re a gay man in the ‘60s. His desire to win Leary's romantic love at any cost becomes his undoing. The first time Dick trips, instead of seeing God, he has a full-blown panic attack, and the chains of conformity are not removed for him. His search for permanent enlightenment takes him to India, where he transforms into the famous Guru, Baba Ram Dass and writes the famous best-selling book "Be Here Now."

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Before LSD

Before LSD

After LSD


After LSD

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These three unlikely heroes become known as

 "The Lords of the Revolution," with storylines that are limitless.


Each episode is an examination of whether they can maintain their idealistic dream of establishing the world's first loving and nonviolent bloodless revolution in the face of their baser and more insatiable needs for sex, power, alcohol, drugs, money, celebrity, and fame.

The most significant consequence of compromising their morals is the damage they inflict on their kids, which is nothing short of criminal.


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Jackie Leary


Susie Leary

Sophie Hollingshead


A great jazz pianist, Sophie is a complicated woman who follows her own compass. She initially supports Michael’s fledgling writing career, but with his "acid-work," his inability to pay child support, and his continuous adultery, it's impossible. When they split, she and Vanessa are forced to move back to NYC. But her love for Michael never dies. That hurt drives her to stop caring for everyone and everything - well, except for grass, amphetamines, and Vanessa; in that order. Broke, she and Vanessa end up in the slums of Bed-Stuy, Brooklyn, where she endures assaults, loses her teeth, and eventually, her mind. She reminds Vanessa, daily: "When I met your father, I hated all men. After I married him, I hated everybody."

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Before Michael

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After Michael

Vanessa Hollingshead


When Michael leaves Sophie to "turn on" the world, he leaves Vanessa in Sophie's care - a woman who has no clue how to be a mother. Overwhelmed by Vanessa's terrible twos, she makes the heartbreaking decision to put Vanessa in a foster home that winds up being extremely abusive. When Michael learns about the situation, he comes back and rescues her. But when he won't sacrifice his standing at Harvard, he gives her up custody to Sophie, but with very strict conditions. All Vanessa wants is to be with her father, but how when he's too busy fathering the dawn of the psychedelic revolution. When Vanessa does finally get to be with him, he sabotages everything by leaving the acid-laced sugar cubes out, and she almost dies. Vanessa represents an entire generation of kids left out of the 1960s vacuous promise of peace, love, and understanding.

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After LSD

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the comedy of 




Similar to Nicole Fosse, Bob Fosse and Gwen Verdon's daughter in the series "Fosse/Verdon," Vanessa's acid-laced orphan storyline appears as snippets throughout to remind us of where her father comes from and what he's left behind.


reveals, with a matchless degree of intimacy, both the conflicts within and between the brilliant minds of The Lords of the Revolution and how we survive their collateral damage. Over the course of the series, we will solve the mystery of who Michael Hollingshead really was and why the tripping subculture was so swiftly stamped out.

Pilot Summary

"Welcome Back My Friends, to the Show that Never Ends"

The TEASER bursts onto the screen with a kaleidoscopic flash-forward to 1966 "Swinging London," where our Divine Rascal, Michael Hollingshead, at his "World Psychedelic Center," has all of Piccadilly Circus by the psychedelic balls. 


Draped in his flamboyant raccoon coat, pink sunglasses, and Tibetan beanie, he's in the middle of guiding over fifty of his followers on another infamous and mind-expanding LSD journey.


Amidst the flashing strobes and Indian Hindu music, he raises a perfume bottle high above the crowd, a radiant beacon in the middle of the chaos. Suddenly, a bolt of lightning strikes from within and reveals three letters written on its side: "LSD."


As he sprays it all over the hot, braless hippie chicks, their tongues wagging at his feet, we spot Paul McCartney, John Lennon, Keith Richards, Eric Clapton, and Roman Polanski, eager for just one spritz of Michael's artistic liberation. 

As he steps back to revel in his psychedelic brilliance, Scotland Yard suddenly busts in and arrests him.

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At the same time, in 1966-upstate New York, Dr. Timothy Leary is in the middle of guiding one of his own spectacular kaleidoscopic LSD sessions at "his" infamous Millbrook Mansion. 


Among his disciples are Andy Warhol, Charlie Mingus, Maynard Ferguson, Jack Kerouac, and Allen Ginsberg.

As Leary steps back to bask in his psychedelic brilliance, 22 FBI agents suddenly bust in and arrest him.

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Now they're both in jail.

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On the cold London prison floor, Michael detoxes a serious drug addiction and FLASHES BACK to 1959, to New York City, where our story begins with his arrival on a low-class passenger ship. 

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He slings a duffle bag over his shoulder, deboards the ship, and heads for The Whitehorse Tavern in Greenwich Village, the favored haunt of the 1950 Beatnik poets and literary underground.


Lost in the unfamiliar streets, he stops at the Open Door jazz joint. He peeks inside and locks eyes with the gorgeous, femme fatale jazz pianist, Sophie Reisner, when suddenly two mobsters barge inside.     

In shock, Michael watches them point guns at three of the black musicians' heads. As they drag them over Michael's feet, their screams fill the air.


Simultaneously, from his own prison cell in upstate New York, Leary FLASHES BACK to 1959, to San Francisco, at the Kaiser Psychological Program, where his story begins.


Celebrating his 35th birthday, and while blowing out the candles, his boss announces that Leary will be promoted as the new director of Kaiser's entire drug research program. 

That night, Leary's picture-perfect wife, Marianne, throws him a dazzling "Mad-Men"-esque surprise party. The veneer of 1950's bliss quickly shatters when she catches him screwing her best friend in their son's bedroom — and without her. Destroyed, she goes to the garage, starts the car, and gasses herself to death. 

Leary is left to raise their two kids all on his own. 

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As Michael tries to shake off what he saw in that jazz joint, we pan above him to a brownstone above, where those same mobsters are now dragging those same musicians inside. But these men are not just mobsters; they are "agents" recruited by the CIA to conduct mind experiments with unknown drugs on the marginalized and dispensable. 

Trapped and terrified, the men gape at glass vials full of mysterious serums. The agents strap them down and inject them with large doses of LSD and heroin.


Michael finally finds The Whitehorse. He goes inside and can't believe his eyes. The most renowned literary Beatniks of the time and his heroes are all sitting at the bar: Allen Ginsberg, James Baldwin, Jack Kerouac, William Burroughs...   

But when he spots the most famous one of all, British author Aldous Huxley, and the one whose books saved him when he was just a kid confined in a juvenile detention center, he's overcome.


As the drinks flow, this British fish-out-of-water, Michael, quickly disguises his lower-class accent with a posh upper-class one and launches into his harrowing and comical tale of his near-fatal escape from England. With a standing ovation, they welcome him into their inner sanctum. He then easily convinces a very drunk Kerouac and high-on-heroin Burroughs to let him sleep on the floor of their tiny, grimy Lower East Side apartment.

Back in San Francisco, Leary grieves his wife's suicide. Desperate for a fresh start, he leaves that prestigious brand new job at Kaiser, uproots his kids, and moves to Italy.      


While trying to finish his book on his psychological research with the mentally ill, he can't stop sleeping with the gorgeous Italian hookers and contracts a "mysterious" illness that almost kills him.

When his old friend and head of Harvard's Psychology Department hears about his illness, he offers to send him some money to come back to the States and present his hot-shot psychological research at Harvard's annual psychology conference. Leary jumps at the opportunity, "somehow" survives his illness, uproots his kids again, and heads for Cambridge.

When he delivers the most groundbreaking and mesmerizing presentation, Harvard hires him as head professor in the undergrad department. Professor Dr. Richard Alpert is also so taken by the sexy and charming Leary that he immediately falls head-over-heels and begs the Harvard powers-that-be to be his assistant.




Back in NYC, Michael is hellbent on proving to his new literary friends that he is just as talented as they are. But with no job, no money, and falling in love with that femme fatale jazz pianist Sophie (who is actually married to the owner of the jazz club), he's plagued with a debilitating case of writer's block. 

When his drinking spirals out of control, he seeks help from Aldous Huxley, that famous writer whose words saved him when he was just a teen. "Hux" tells him to find a way to get a hold of this extremely powerful and unknown drug called LSD, a drug that cured his own writer's block. Hux warns him to be careful, though, since "no research" has been done on its effects on humans.

Michael races to New York Hospital to ask his doctor friend, Dr. John Beresford, to write him a prescription for it. Together, they concoct the lie that Michael has bone cancer and needs a lot of LSD for research during a "series of bone marrow transplants."


On a wing and a prayer, Michael sends the bogus script to LSD's inventor, Dr. Albert Hofmann, at Sandoz Labs in Switzerland.


Meanwhile, in Cambridge, the radical Leary finds himself at odds with the strait-laced academic scene at Harvard. Being the outsider and trying to fit in mirrors Michael's challenges with trying to fit in with the Beatniks.

Initially revered for his unconventional one-on-one talk therapy, Leary starts smoking way too much pot and delves deeply into eastern spirituality, meditation, yoga, and mysticism.   

When he receives an invitation to travel to Mexico and study the psychological effects that psilocybin mushrooms have had for thousands of years on the Aztecs, it creates a serious conflict with Harvard's "Board of Overseers." 

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In the dim confines of the West Village safehouse, Dr. Sydney Gottlieb, the ominous mastermind behind the CIA's MK-Ultra mind control program, is in the middle of a "sit-down" with NYC mobster Vito Genovese of the "Greenwich Village Crew." Screams of terror echo from a nearby padded room.   


Gottlieb guides Vito to the source of the screams. There, CIA agents are injecting hostages with massive doses of LSD and heroin. Amidst their pleas for mercy, Gottlieb strikes a chilling deal with Vito: for heroin supplied to the mob by the US government, Vito must, in turn, furnish Gottlieb with as many hostages that he needs.




Michael and Leary's need for a spiritual upheaval in the final act reaches an existential crescendo. Will Leary defy Harvard's authority, risk his career, and go to Mexico to explore psychedelic mushrooms? And will Dr. Hofmann, the father of LSD at Sandoz Drug Labs in Switzerland, fulfill Michael's request for the LSD and send it to him?  


Cut to: While reading Michael's prescription, Dr. Hofmann flashes back to 1943:


Flashback: While researching a cure for migraines, Hofmann desperately synthesizes a deadly fungus that grows on rye seeds called lysergic acid. When he accidentally ingests a small amount of it, the effects are so powerful that he does what any mad scientist would do: he deliberately doses himself with 250 micrograms of it - a dose he knows could kill him.        


As the "poison" courses through his veins, he gets on his bicycle for what he believes to be a final farewell to his beloved wife. But all of a sudden, his "trip" transforms into a kaleidoscopic odyssey, shattering the confines of reality and ushering him into the boundless expanse of the cosmos. As his ego dissolves into a white light ether, he is awash with a profound sense of awe and the realization that he believes he has just discovered "the soul." 


Balancing on the precipice of enlightenment and terror, Hofmann eagerly shares his epiphany with his Sandoz superiors. But with his strange demeanor and impassioned pleas to continue with his research, they become extremely concerned and shut him down.

​End Flashback: Hofmann, still holding Michael's prescription, weighs the scientific consequences against the personal consequences if he were to send Michael the drug. He types a letter.

Dr. Hofmann - Before LSD

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Dr. Hofmann - After LSD

Tag - A back-and-forth montage:


At Boston Airport, Leary and his assistant, Alpert, sit on the tarmac in Alpert's private plane, ready for takeoff.

In New York, Michael receives a package. He opens it and finds one small jar labeled "LSD Lot Number H-00047," a bill for $285.00, and a letter warning him of the drug's deadliness if overdosed. Hofmann also includes a demand that Michael report back to him with the scientific results of LSD's efficacy on his bone-marrow cancer treatments.

Leary and Alpert land in Mexico and are greeted by the Aztec psilocybin shaman, Crazy Juana. After several shots of tequila, they hike up into the mountains. During a tribal fire ceremony, Crazy Juana places one psylocibin mushroom on each of their tongues and two on her own.

Michael tosses Hofmann's letter and the bill into the trash. He opens the jar to a beautiful, electric, shimmery powder. He quickly grabs a box of powdered sugar, and some water and mixes it all together into a thick paste. Spooning it into an empty mayonnaise jar, he licks the spoon - many, many times. With no clue about "dose" or "potency," he heads for his roof.

The pilot ends on a literal cliffhanger, with Leary and Alpert sitting around the campfire in the lush, magical mountains of Mexico, waiting for the mushrooms to kick in, and Michael precariously at the edge of his roof, gazing out into the lonely abyss of the trashed-out NYC streets and flickering neon signs, waiting for the LSD

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